@article{oai:stars.repo.nii.ac.jp:00008095,
 author = {佐々木, 英哲 and Sasaki, Eitetsu},
 issue = {39},
 journal = {国際文化論集, INTERCULTURAL STUDIES},
 month = {Mar},
 note = {This paper discusses two questions : first, how Melville imperceptibly inserted an image of Hawthorne into his novella Billy Budd ; and second, how that rough-hewn image of Hawthorne could be excavated from the text and reworked into the image that Melville created. The petty officer Claggart plays a crucial part in maintaining the patriarchic hierarchy of the Navy's homosocial community. Although Claggart demands that the paternal Captain Vere love all his men impartially, the demand bears no fruit : the Captain loves Billy better than him. Claggart is obsessed with his negative emotion, a mixture of envy and enmity at the pseudo-sibling Billy, and this emotion outdoes his positive emotions of love and admiration for Billy. Billy's image as an innocent, self-sufficient child is twisted and falsified by Claggart into an image that symbolizes non-acceptance, an image of a narcissistic baby who becomes smugly immersed in parental love and prevents anyone from approaching him affectionately. Billy's innocent image conjures up that of Hawthorne, a writer well-known to both modern critics and those of his own era for his handsome, ambiguously-gendered appearance. The paper thus concludes that Claggart's hatred and reproach of Billy for his innocence and beauty reflected Melville's similar resentment toward Hawthorne., 6, KJ00005161059, 論文, Article},
 pages = {57--84},
 title = {タソガレ ノ MELVILLE ニ シノビ ヨル HAWTHORNE ノ カゲ ジセイ ノ ショ BILLY BUDD クィア リーディング ノ ココロミ ヤマカワ ヒデヤ キョウジュ タイニン キネンゴウ},
 year = {2009},
 yomi = {ササキ, エイテツ}
}