@article{oai:stars.repo.nii.ac.jp:00008854,
 author = {高井, 昌吏 and TAKAI, Masashi},
 issue = {1},
 journal = {桃山学院大学社会学論集, ST.ANDREW'S UNIVERSITY SOCIOLOGICAL REVIEW},
 month = {Oct},
 note = {In the late 1960 s, Hiroshi Kawaguchi, the former movie actor and TV
personality, felt challenged by the documentary film “A Dog’s Life” (original
title: Mondo Cane) produced by Italian film director Gualtiero Jacopetti.
While pursuing the ‘authenticity’ of documentary, Kawaguchi also
performed as an actor and was involved in the production of a television
program. The program of Hiroshi Kawaguchi was different from Junichi
Ushiyama’s television documentary ”Wonderful World Travel”, as the
former tried to represent the ‘authenticity’ of documentary while
emphasizing the impact of the image, whereas the latter pursued
‘education’ and academics through his program. This is, in a sense, a result
of focusing on creating a program from the perspective of the ‘masses’
instead of from the perspective of ‘modern citizens’. Their directions were
different, yet their educational background, parents’ occupations and
cultural capital were related to each other. In the mid-1980 s, however,
“Kawaguchi Hiroshi Adventurer Series” directed by the former actor who
placed great emphasis on ‘authenticity’ became viewed as a parody of
adventure and exploration by the audience amid a rumor that the program
was ‘staged’. In other words, although Hiroshi Kawaguchi’s documentary
program began as a pursuit of ‘authenticity’, it was ironically criticized in
terms of its ‘authenticity’ and ridiculed. This was due to changes in the
attitudes of TV viewers, especially of the audience of documentary shows.
In the meanwhile, Junichi Ushiyama also entered the academic world, such
as the “Visual anthropology”, and as a result, his television documentary
became accepted as an ‘educational program’.},
 pages = {31--71},
 title = {旅や冒険を表象するテレビ番組と「真正性」「教養」 : 『川口浩探検シリーズ』と『すばらしい世界旅行』の比較研究},
 volume = {51},
 year = {2017},
 yomi = {タカイ, マサシ}
}