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〈女らしさの神話〉とハリウッド・シェイクスピア─ 1967年の『じゃじゃ馬馴らし』─(中井紀明教授退任記念号)
https://stars.repo.nii.ac.jp/records/131
https://stars.repo.nii.ac.jp/records/131f1186860-8e09-442e-a61d-5ad48090afb0
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
小野良子 (513.7 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-06-17 | |||||
| タイトル | ||||||
| タイトル | 〈女らしさの神話〉とハリウッド・シェイクスピア─ 1967年の『じゃじゃ馬馴らし』─(中井紀明教授退任記念号) | |||||
| タイトル | ||||||
| タイトル | Feminine Mystique and Hollywood Shakespeare : The Taming of the Shrew in 1967(Special Issue Dedicated to Professor NAKAI, Noriaki) | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 女らしさの神話 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | シェイクスピア | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | じゃじゃ馬馴らし | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ハリウッド映画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | フェミニズム | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
小野, 良子
× 小野, 良子× ONO, Yoshiko |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Introduction 1. Feminine Mystique: American women in 1950s 2. The Second Wave of Feminist Movement: American women in 1960s 3. Hollywood Shakespeare and its Artistic Limitation: Zeffirelli's Taming of the Shrew Conclusion Notes Bibliography This paper is an attempt to examine whether the feminist movements of the 1960s had a particular impact on Franco Zeffirelli's filmed production of The Taming of the Shrew in 1967. The play was first performed on Elizabethan stage and reflected gender politics of the Elizabethan age. The story portrayed the process how the shrew was instructed and molded to the ideal wife by her newly wedded husband. Shakespeare's Taming of the Shrew created the taming plot as comedy with a happy ending of the married couple. Zeffirelli's Shakespearean comedy expected an utterly different audience living in the age of women's liberation. The feminist's movement prompted re-evaluation of the existing social framework authorized by the patriarchal ideology. Zeffirelli's adaptation was a farcical comedy with an ambiguous ending, presenting both the latest feminist's reading and antifeminist backlash on screen. Zeffirelli's Taming of the Shrew was never an academic reproduction of Shakespearean work, but a Hollywood commodity that sells Shakespeare for huge commercial profits. | |||||
| 書誌情報 |
英米評論 en : ENGLISH REVIEW 号 28, p. 5-35, 発行日 2014-03-18 |
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| 出版者 | ||||||
| 出版者 | 桃山学院大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 09170200 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10208093 | |||||
| 論文ID（NAID） | ||||||
| 関連タイプ | isIdenticalTo | |||||
| 識別子タイプ | NAID | |||||
| 関連識別子 | 110009892125 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
