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日本語定型詩のリズム : 五音と七音をめぐって(藤澤道郎教授退任記念号)
https://stars.repo.nii.ac.jp/records/7933
https://stars.repo.nii.ac.jp/records/7933256fcd85-7be9-4c61-a31c-58508673a7cd
名前 / ファイル | ライセンス | アクション |
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KJ00004274635.pdf (566.5 kB)
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-03-22 | |||||
タイトル | ||||||
タイトル | 日本語定型詩のリズム : 五音と七音をめぐって(藤澤道郎教授退任記念号) | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Rhythm in Japanese Fixed-Form Verse : Five and Seven Moras (Special Issue Dedicated to Professor Michio Fujisawa) | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | リズム | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 5・7・5(7・7) | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 日本語定型詩 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 8音節(モーラ) | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN1020813X | |||||
著者 |
遠山, 淳
× 遠山, 淳× TOYAMA, Jun |
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著者所属(日) | ||||||
値 | 桃山学院大学文学部 | |||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
記事種別(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Article | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Japaneese fixed-form verse including haiku, senryu, and tanka, are widely regarded as being composed of 5-7-5 or 5-7-5-7-7 syllables. ignoring the pause placed immediately after the fifth or seventh syllable or, more precisely, mora. This article examines the rhythm of what have been usually regarded as "five" or "seven" moras in Japanese short fixed-form poetry. These poems are not written with five or seven syllables but with a sound space or a temporal space of eight moras in mind. This is because the Japanese language, which is a pitch accent, responds to the long-short duration of sounds rather than the strong-weak stress relation of sounds to cultivate a sense of rhythm. To examine this, the author discusses the effect of the Japanese view of nature and the universe, including breathing, walking, working and dancing, in creating the sense of rhythm in the Japanese language. | |||||
書誌情報 |
国際文化論集 en : INTERCULTURAL STUDIES 号 21, p. 127-140, 発行日 2000-03-31 |
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表示順 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 10 | |||||
アクセション番号 | ||||||
内容記述タイプ | Other | |||||
内容記述 | KJ00004274635 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 09170219 |