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But theCornice had other precious qualities, such as `totality\u0027, `repetitiveness\u0027,`dependence on others\u0027 mouths\u0027, `plurality\u0027 etc. I will assume some favorableeffects brought about by such qualitiesChapter II We can easily imagine how Boccaccio rejoiced when the idea ofthe Cornice occurred to his mind. The `totality\u0027 and the `repetitiveness\u0027 of theCornice could control his too productive imagination through the setting of thethemes of ten days.Chapter III The `dependence on others\u0027 mouths\u0027 brought about important effects,such as the concentration and the enforcement of the imagination by borrowingothers\u0027 sight and brain. The effects appear very clearly, especiallywhen Boccaccio makes Dioneo tell erotic tales and Fiammetta tell romanticlove stories. Another important effect is the shift of responsibility. 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ガクブチ ワ デカメロン ノ カンセイ ニ イカニ キヨ シタカ
https://stars.repo.nii.ac.jp/records/8064
https://stars.repo.nii.ac.jp/records/806427a7a345-c068-4301-9ed2-b2fc00d3cc73
名前 / ファイル | ライセンス | アクション |
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KJ00004527064.pdf (602.9 kB)
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-03-22 | |||||
タイトル | ||||||
タイトル | 額縁は『デカメロン』の完成にいかに寄与したか | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | How the Cornice (frame) Helped Boccaccio to Complete the Decameron | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 『デカメロン』 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 額縁 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 全体性 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 他人性 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 複数性 | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN1020813X | |||||
論文名よみ | ||||||
タイトル | ガクブチ ワ デカメロン ノ カンセイ ニ イカニ キヨ シタカ | |||||
著者 |
米山, 喜晟
× 米山, 喜晟× Yoneyama, Yoshiaki |
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著者所属(日) | ||||||
値 | 桃山学院大学文学部 | |||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
記事種別(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Article | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Chapter I In the former paper, I argued that the Cornice used in theDecameron brought about `orality' in the prose of the Decameron, and the qualitycontributed much to the growth of Italian prose of this time. But theCornice had other precious qualities, such as `totality', `repetitiveness',`dependence on others' mouths', `plurality' etc. I will assume some favorableeffects brought about by such qualitiesChapter II We can easily imagine how Boccaccio rejoiced when the idea ofthe Cornice occurred to his mind. The `totality' and the `repetitiveness' of theCornice could control his too productive imagination through the setting of thethemes of ten days.Chapter III The `dependence on others' mouths' brought about important effects,such as the concentration and the enforcement of the imagination by borrowingothers' sight and brain. The effects appear very clearly, especiallywhen Boccaccio makes Dioneo tell erotic tales and Fiammetta tell romanticlove stories. Another important effect is the shift of responsibility. Boccaccioexposed the corruption of the clergy through the camouflage of the Cornice.Chapter IV `Plurality' also brought about two main effects, helping Boccaccioto keep his mental horizon wide and to make his novellas dramatic. Themarvellous width of the stage in his novellas shows the breadth of his mentalhorizon. For G. Padoan, the dramatic quality of the novellas of the Decameronin an age when there were no theaters in Europe is an important issue. Butthinking about the Cornice, which closely resembles a drama, it is no wonderthat Boccaccio could write such dramatic novellas. | |||||
書誌情報 |
国際文化論集 en : INTERCULTURAL STUDIES 号 35, p. 1-48, 発行日 2006-12-05 |
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表示順 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 1 | |||||
アクセション番号 | ||||||
内容記述タイプ | Other | |||||
内容記述 | KJ00004527064 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 09170219 |