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デカメロン ノ イサン 14セイキ コウハン カラ 15セイキ ショトウ ノ イタリア ノヴェッラ ニオケル ガクブチ ゲンジツセイ エロス トオヤマ ジュン キョウジュ タイニン キネンゴウ
https://stars.repo.nii.ac.jp/records/8077
https://stars.repo.nii.ac.jp/records/807725f3165d-a610-4999-a496-e0bcfc88b0fe
名前 / ファイル | ライセンス | アクション |
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KJ00004873445.pdf (695.4 kB)
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-03-22 | |||||
タイトル | ||||||
タイトル | 『デカメロン』の遺産=14世紀後半から15世紀初頭のイタリア・ノヴェッラにおける額縁・現実性・エロス (遠山 淳教授退任記念号) | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | On the Heritages of the 'Decameron' : 'Cornice', 'Within the Realm of the Believable', 'Eros' (Special Issue Dedicated to Professor Jun TOYAMA) | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 『デカメロン』の遺産 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 額縁 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 現実性 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | エロス | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 『デカメロン』影響下の作品 | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN1020813X | |||||
論文名よみ | ||||||
タイトル | デカメロン ノ イサン 14セイキ コウハン カラ 15セイキ ショトウ ノ イタリア ノヴェッラ ニオケル ガクブチ ゲンジツセイ エロス トオヤマ ジュン キョウジュ タイニン キネンゴウ | |||||
著者 |
米山, 喜晟
× 米山, 喜晟× Yoneyama, Yoshiaki |
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著者所属(日) | ||||||
値 | 桃山学院大学文学部 | |||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
記事種別(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Article | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | As I showed in my previous three papers, though the Novellino had been an excellent forerunner of the Italian novellas, only with the appearance of the Decameron was the basis for the Italian novella truly founded. Almost all the elements of the novella can be considered as heritages of the Decameron but, referring to the definitions of the novella form, I selected firstly the adoption of the `cornice' or framework device, secondly the setting within the realm of the believable, and thirdly the audacious expression of Eros and of sexual relations. In this paper I focus on the Pecorone of Ser Giovanni Fiorentino, the Trecentonovelle of Franco Sacchetti, and the Novelliere of Giovanni Sercambi, all of which were included by Di Francia in his Novellistica as epigones of Boccaccio. I find that these three works imitated Boccaccio's cornice device to various extents. I also find a remarkable increase of settings within the realm of the believable by the three authors compared to works published before the Decameron, and a similar increase in the percentage of novellas in which sexual relations take place. From the high number of incidences in the Novelliere, in particular (49.68%), we can imagine how the people of Tuscany, where the tradition of Dante and Petrarch had forbidden them to see women in sexual terms, must have welcomed the appearance of the Decameron as the liberator of Eros. | |||||
書誌情報 |
国際文化論集 en : INTERCULTURAL STUDIES 号 37, p. 141-192, 発行日 2007-12-10 |
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表示順 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 6 | |||||
アクセション番号 | ||||||
内容記述タイプ | Other | |||||
内容記述 | KJ00004873445 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 09170219 |