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イギリスの中世主義 : ウォルポールとモリスの間にあるもの
https://stars.repo.nii.ac.jp/records/8948
https://stars.repo.nii.ac.jp/records/894823cc5990-364a-486c-aa73-45b9f9929171
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
日下隆平 (514.7 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-04-27 | |||||
| タイトル | ||||||
| タイトル | イギリスの中世主義 : ウォルポールとモリスの間にあるもの | |||||
| タイトル | ||||||
| タイトル | The Medieval Revival in 19th-century Britain and its Orientalist Roots : From Horace Walpole to William Morris | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 中世主義 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | シノアズリ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | イングリッシュネス | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | モリス | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ウォルポール | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
日下, 隆平
× 日下, 隆平× KUSAKA, Ryuhei |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper will examine the diverging conceptions of “medievalism” of Walpole and Morris through a consideration of the historical background to their writing, particularly the transition from Orientalism to Medievalism. Orientalism in British Romantic literature is usually traced back to the first decade of the eighteenth century and the appearance of the first English translation of The Arabian Nights (1706). Within a few years, a growing taste for Chinese exoticism (“chinoiserie”) started a fashion for porcelain, and saw the construction of elaborate gardens and exotic buildings such as pagodas around the country. Walpole was initially attracted to Chinese exoticism, but, as we can see in his Note to The History of the Modern Taste in Gardening, he later came to feel discontent with the trend. Moving toward a stronger British national identity, he wrote Anecdotes of Painting in England (1762), and leaned toward the Gothic Revival style. After the 1760s, other writers like Percy, Macpherson and Chatterton also began to gravitate toward a more Medievalist stance. In 1764, with the publication of his The Castle of Otranto, the first Gothic novel, Walpole demonstrated how the focus of his concern had shifted from the exotic Orient to medieval Britain, in other words, from Orientalism to a concern with “Englishness”. The late nineteenth century trend for medievalism, on the other hand, was a different phenomenon, a reaction to the rapid industrialization taking place in Britain. The paper concludes that the picture of the Middle Ages which William Morris drew in his News from Nowhere (1890), and which could also be found in the landscape paintings of John Constable, was a “utopia” of “Englishness” unspoiled by industrialization, an era where English people of the 19th century could reaffirm their national identity. |
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| 書誌情報 |
人間文化研究 en : Journal of Humanities Research,St.Andrew's University 号 8, p. 73-100, 発行日 2018-02-28 |
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| 出版者 | ||||||
| 出版者 | 桃山学院大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 21889031 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12704345 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
