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Nick Carrawayは水を漏らしているか? : The Great Gatsby研究 (学院創立110周年記念号)
https://stars.repo.nii.ac.jp/records/8380
https://stars.repo.nii.ac.jp/records/8380b152ed8a-e74c-46d9-b330-37639798a7df
名前 / ファイル | ライセンス | アクション |
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-03-22 | |||||
タイトル | ||||||
タイトル | Nick Carrawayは水を漏らしているか? : The Great Gatsby研究 (学院創立110周年記念号) | |||||
タイトル | ||||||
タイトル | Does Nick Carraway Hold Water? : A Study of The Great Gatsby (In Commemoration of the 110th Anniversary of the Founding of Momoyama Gakuin) | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10208093 | |||||
著者 |
出原, 博明
× 出原, 博明× DEHARA, Hiroaki |
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著者所属(日) | ||||||
値 | 桃山学院大学文学部 | |||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
記事種別(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Article | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | The Great Gatsby has been estimated highly, especially for thoroughness of its craftmanship. It is, however, not always beyond criticism. "Nick Carraway is an untrustable, unreliable narrator" is one of the most severe comments. Two reasons are pronounced for this. One of them is that Nick lies. His self-advertisement is discrepant from how he actually is. At the beginning of the story, self-conceitedly he introduces himself as a self-controlled person who abstains from judging others. However, he readily judges others, rather biasedly. The orher reason is that Nick occasionally dares to take the omniscient author's position in spite of his being assumed to play the role as one of the characters, through whose point of view the reader is supposed to experience the drama of the story. The first reason is out of place, for Nick meant simply that he would not mention his judgments to a person's face. He judges others secretly, not speaking it out. The second reason sounds convincing in a sense. There are quite a few cases that the reader may wonder how Nick can have such and such information or knowledge if he is not ominiscient. It is, however, based upon the criterion of strict realism. Whether it is reasonable or not to apply the criterion of realism to this story should be a matter for argument. The story took place in the jazz age, when the prewar morals had become out of style. The situation was chaotic, unstable, with the old social order broken down. Artists were making every effort to devise new methods for this new age. It had something to do with this when T. S. Eliot said "The Great Gatsby is the first step American fiction has taken since Henry James..." F. Scott Fitzgerald is not a realist by any means. He is more inclined toward romanticism with cynicism and irony, than toward facts. That John Keats was his most favorite poet all his life may tell how he had affinity with this poet. The way he creates something artistic out of a little of fact exploiting his imagination corresponds to the way how the poet creates such a piece of poetry as "The Grecian Urn". Fitzgerald's language in The Great Gatsby tends to be metaphoric, approximate to that of poetry. At the same time, it is undeniable that craftmanship in this work is not perfect. Nick Carraway does not always hold water. Some parts of The Great Gatsby where Nick is criticized for his irresponsible narrative are, however, very charming. The postwar age was so different from the prewar world that the old realism was unable to grasp it. Paradoxically speaking, such features as imaginativeness, romanticization with cynicism, and metaphoric language, which are considered characteristic of Nick's narrative, reflect better the actual situation of the times, when the story took place. | |||||
書誌情報 |
英米評論 en : ENGLISH REVIEW 号 9, p. 35-59, 発行日 1994-12-20 |
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内容記述タイプ | Other | |||||
内容記述 | 5 | |||||
アクセション番号 | ||||||
内容記述タイプ | Other | |||||
内容記述 | KJ00004272368 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 09170200 |